District Sights: National Gallery of Art Sculpture Garden

On the hunt for a convenient, quick, and close-by lunch spot between our visits to the National Air & Space Museum and the National Museum of African American History & Culture, we wandered into the National Gallery of Art Sculpture Garden on our way to the Pavilion Cafe. With bad weather looming, we made our way around the fountain, lingered just a bit at a few of the statues and went inside just in time. It started raining while we were in line to order.

 

In our quick visit though I took a few photos and have since done some research on one of the artist’s whose work in the sculpture garden stood out to me. Titled Puellae (Girls), the collection of bronze, headless figurines standing amidst trees, was haunting. In search of the meaning behind these figures I quickly Googled but the first page that came up offered nothing beyond the fact that the figures were bronze, made in 1982, and were indeed at the National Gallery’s Sculpture Garden (thanks Google/Wikipedia). A friendly security guard passed by just as I declared my internet search of no use and told us that the statues were inspired by a story the artist had heard during World War II of a transport of girls from Poland to Germany who all died from exposure to the cold in the cattle cars used to move them.

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The artist is Magdalena Abakanowicz who grew up in Poland. She was 9 years old when Nazi Germany invaded and she grew up outside of Warsaw, and after the war, lived under Soviet control. She went to art school and began her career in a the climate of Soviet rigid conservatism. Artists were only allowed to create art in one style–Socialist realism. As she moved through her career as an artist those restrictions were lifted. Abakanowicz is known for working with textiles and for several humanoid sculptures like those at the National Portrait Gallery. Drawing on her experience of World War II and its aftermath, she is “best known for her “crowds” (as she calls them) of headless, rigidly posed figures whose anonymity and multiplicity have been regarded as the artist’s personal response to totalitarianism.” (National Gallery of Art website)

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I am not personally terribly interested or good at art. I often don’t “get” it. But when art is used to represent history or the past, I am better able to understand. I wish this sort of background information was included on art gallery labels, but I suppose sometimes the art is meant to speak for itself and be open to interpretation. I prefer knowing the inspiration myself. With the background of this sculpture, I see more than creepy headless figures and instead see the atrocities of war and how such large scale inhumanity creates so many anonymous victims.

Public art is often cited as one way to better highlight history of places, especially when original structures no longer stand. What do you think about using art to tell history?

District Sights: The National Air & Space Museum

Reflections of a Public Historian in a Science Museum

My husband and I recently took a long weekend trip to Washington, D.C. to visit my brother and see the sights. We had both been twice before and seen the monuments and some of the major museums, so this time we had a pretty specific list of things we wanted to see.

As a public historian, I obviously enjoy history museums usually more than science or art, but as a museum professional I also deeply appreciate these spaces and do like to push beyond my usual interests. For our trip to Washington, D.C., my husband specifically requested that we visit the National Air & Space Museum, which is a mixture of science and history. It’s an area of history that I’m less interested in except for where it overlaps with social history (how the space race impacted regular Americans, the struggles for racial and gender equality in the study and exploration of space, etc.), but nonetheless we had a great time.

I enjoyed watching my brother and husband discuss, interact with, and enjoy the science together. They showed all of the major markers of visitor engagement–touching what they were allowed to, pointing at exhibit features, talking about what they were learning, and retaining information from one exhibit to another and relating events and facts together. Unfortunately, many of the exhibit spaces in the museum were closed as they carry out renovations, but we did get to see Explore the Universe, Space Race, Moving Beyond Earth, and Exploring the Planets.

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Hubble Telescope image of a nebula.

Space Race traced the history of the Cold War-era competition between the USSR and the USA to achieve major feats of space exploration. It was interesting to learn that the science that would fuel the space race began during World War II with German missiles.

We also saw the SkyLab, the precursor to the Space Station, a space for scientists from many nations to live in space for periods of time and conduct research.

Exploring the Universe focused on the history and development of instruments people have used to view space.

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I was happy to see some inclusion of women’s accomplishments and contributions to astronomy in this exhibit in the text about William Herschel’s sister Caroline Herschel who assisted him in his work. The exhibit caption describes her as “William’s Essential Assistant” but goes on to say that she was “a fine astronomer in her own right.” She found 8 comets and was the first woman to receive a salary as a scientist, but is best known for assisting her brother in his observations and telescope building…

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Another woman included in this exhibit is Henrietta Swan Leavitt who identified 2,400 variable stars and discovered the link between the brightness and length of brightness cycle of Cepheid variables–basically this discovery is what astronomers needed to measure distances of nebulae.

Exploring the Planets was an interesting exhibit that looked at the properties of each planet in our solar system. It was interesting to learn about the environments and orbits of these planets. It’s crazy to think about just how different these planets are–the red dot on Jupiter is a storm that’s been raging for hundreds, maybe thousands, of years. Some are made of ice, others have years-long seasons, different lengths of day and night. That was a fun exhibit to walk through and discuss mind-boggling facts together.

All in all, a fun morning spent learning about space with my hubby and brother. I’m interested to see the museum when it’s finished with all of its big renovations and gallery updates. Maybe there will be even more inclusion of women’s and minorities’ roles in air and space.

Public Historian on Vacation Series: Final Stop – Louisiana

Finally coming to the end of my Public Historian on Vacation series. I spent so much time writing about San Antonio even though we were only there for 2 days because we packed a lot into 2 days, it was our first time visiting, and it was so beautiful and interesting. After we visited the Missions we also checked out the San Antonio Japanese Tea Garden, went back to the River Walk and ate at Casa Rio, the oldest restaurant on the River (1946)–(another example of commercialization of history, drawing on the past to create a certain atmosphere, and to substantiate the quality of the restaurant. Which was pretty yummy Mexican.)

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After San Antonio, we drove back towards the East and stopped over in New Iberia, Louisiana, an adorable small town and home to my wonderful friend and graduate school support person, Jayd. It is also home to the historic site Jayd works at, the Shadows-on-the-Teche, a historic house museum owned by the National Trust for Historic Preservation. We visited Jayd at the Shadows and took a tour from one of the regular guides.

Built along the Bayou Teche, the Shadows was constructed in 1834 for sugarcane planter David Weeks and his wife Mary Conrad Weeks. To be honest, house museums are not my favorite kind of museum as their tours are often formulaic, focused a great deal more on architectural and design history than social history (my personal interest) and I often have a difficult time keeping the various generations of the family and all of the family names organized in my mind as we go through the house. But this house and this tour are interesting for the various ways that the house’s origins and its more recent history are alongside one another.

The house stayed in the same family for a very long time, from its construction through 1958, creating the opportunity to trace one family over several generations. The house has mostly been restored to the antebellum time period in which it was built, but one section of the house interprets more the life and times of the house’s last private owner, William Weeks Hall. His life stood out to me as the most interesting. He was an accomplished artist and knew many other artists and visionaries of his time, including Walt Disney, Henry Miller, Emily Post and more. Visitors to the Shadows during William Weeks Hall’s time were asked to sign an old door that remains on display.

Like most plantation homes today, the interpretation included something about the enslaved people who lived and worked both in the home and in the fields and other properties owned by the Weeks family, though like most historic house museums today that interpretation could use a little something more. We were told that the family depended on and supported slavery, secession, and the South in the Civil War, but less is known about the enslaved people and as such less is shared about them than the white plantation family. But I know more research is being done with the intentions of adding more about the enslaved African Americans at the site. And more information about slavery at the Shadows is available on their website. Overall, well worth a visit and they do some really interesting educational and special programming as well. I may be biased, but Jayd is a passionate public historian and educator who is doing some great work there.

After our tour we went to dinner with Jayd and Graig for some local Cajun food at Pelicans on the Bayou. We had poboys and Crawfish Kickers (a fried crawfish appetizer, kind of like a hushpuppy). And awesome Magic Dust (Cajun seasoning) french fries. And then we set off with Jayd to New Orleans for the rest of the weekend.

We went to New Orleans last year as well and we love NOLA. This year’s foray was with a native Louisianan but unfortunately it was also during a monsoon. I’m exaggerating a little. Rain, wind, clouds, and thunder made Saturday rather gloomy. Before it really started pouring we went to Cafe du Monde, the iconic cafe known for their beignets and cafe au lait. Cafe du Monde has been in operation since 1862 and is one of few things I find totally worth the line, which, thanks to the staff’s efficiency, moves pretty fast. Delicious beignets, wonderful coffee, and the simplicity of it–that’s quite literally all that’s on the menu–all combine into a warm, fuzzy experience. Cafe du Monde is another example of a restaurant successfully capitalizing on its history and longevity. So much so that it doesn’t have to offer anything else. But even after becoming a must see for any New Orleans tourist, the quality of the food and the experience remain. Because, trust me, there are plenty of other places to get beignets in the French Quarter without the line, but there isn’t a line for a reason–they simply aren’t as good.

After pumping ourselves full of caffeine and sugar we set off without a plan into the French Quarter to find something to do. We considered the Cabildo, but it was closed for an exhibit installation. The weather began to get worse and worse so we stopped off at the 1850 House Museum located in the Lower Pontalba Building on Jackson Square. This was a unique house museum in that it was more of an apartment building that had had many different residents over the years. It interprets upper-middle-class life of antebellum New Orleans. Most interesting to me is that the building and its mate, the Upper Pontalba Building across Jackson Square, were designed and financed by a woman, Baroness Micaela Almonester de Pontalba. Both buildings were intended to be combinations of residential and retail spaces. The 1850 House is small and it’s a quick tour of the three floors, including going through the back staircase to the slave and servant quarters and working spaces. (Picture on left above shows one of the Pontalba buildings, but on Sunday when the sun came out.)

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When the weather continued to get worse it drove us from the French Quarter to what we thought would be a safer, drier, and more enjoyable visit to the National World War II Museum.  Well, every other tourist in New Orleans, which was also holding the rained out French Quarter Festival that weekend, had the same idea and we waited in line to get tickets, then to see exhibits, then to eat, only to arrive at the extra experience we had paid for (Final Mission: USS Tang) to find that it was down due to technical difficulties (we were reimbursed, but had walked to that separate building in the rain just for it). Overall, it was a pretty disappointing and frustrating day. It called into mind issues on the visitor experience side of museums. All three of us had been to the WWII Museum before and we knew that it was an impressive, well-done Museum with interactive exhibits, special features, and more. But what if that rainy day had been our first visit? We may have left with a very negative view of the Museum or at least not feeling like it was worth it. Visitor experience and basic qualities of comfort such as benches, crowding, accessibility, etc. really affect visitors’ ability to learn and get the most out of the museum.

It was difficult to focus on what was presented in the exhibits and hard not to feel like you were in someone else’s way. I was pleased to find they had added an immersive exhibit about the home front, often an excellent opportunity to discuss women’s roles during the war, with home interiors set up in 1940s style with places to sit, listen, and read; however, it was also full to the brim and we felt rushed through the space.

Some busy Museums use timed tickets to help control the number of visitors. Independence National Historical Park does so for visitors to Independence Hall, an effort which keeps the small structure from being overcrowded, a preservation necessity that also aids in creating a more positive visitor experience. Visitor caps might also help, keeping the number of visitors allowed in at any one time to a number that allows visitors access to exhibits without too much crowding. Museums have to weigh access, i.e. allowing as many visitors as possible to view the exhibits, with visitor experience, and often with financial concerns as well. Small museums need all of the admission fees they can get to help finance their collection, programs, and often simply operating expenses. However, the World War II Museum likely turns a profit and has been able to invest greatly in new buildings, high quality exhibits, etc. The tickets to the World War II Museum aren’t cheap ($28 for adults), which does give you access to a huge array of exhibits in several buildings, but when your experience is muddled by crowds and ultimately cut short by the exhaustion of dealing with them, you begin to question the value. This coming from two museum professionals (and a good sport of a husband).

Of course, the last time we visited the World War II Museum last year, it was busy without being overly crowded and perhaps we simply caught the unlucky rain-induced visitor onslaught. However, if the Museum finds itself having more and more of those days it may want to institute some sort of control over the number of visitors on forecasted busy days.

After leaving the National World War II Museum wet, tired, and a bit grumpy we went back to our AirBnb, took our host’s suggestion for dinner at the delicious Sassafras, drank the wine left graciously by our host, played cards, and called it a night. The weather cleared and the morning was sunny and breezy. We revisited Cafe du Monde, took a glorious walk around the French Quarter and said our goodbyes.

Our whole trip was full of wonderful times with family and friends, beautiful places, interesting history, and good times. Can’t wait to go back and see family again in Galveston, explore more of San Antonio, visit Jayd and explore more of New Iberia and Southeast Louisiana, and as always, eat more beignets in New Orleans. And of course looking forward to the next trip to anywhere–I always find the history.

Public Historian on Vacation: The Missions of San Antonio

This is part four of my Public Historian on Vacation series, which was originally intended to be a three part series. However, I realized I had more to say about various stops along the way. However, this will be the third and final post about our time in San Antonio before moving on to our stops in Louisiana.

To recap the series so far, this trip took place in April and included stops in Galveston, Texas; San Antonio, Texas; New Iberia, Louisiana; and New Orleans, Louisiana. I’ve already described our time in Galveston visiting family and enjoying The Strand Historic District and the Seawall, dipping a little into the commercialization of the past. I have also now written two posts about San Antonio, one about our visit to the Alamo, and one about our visit to Barney Smith’s Toilet Seat Art Museum. This final post about San Antonio will be about our day in the San Antonio Missions National Historical Park.

The park consists of four different missions, from north to south: Mission Concepcion, Mission San José, Mission San Juan Capistrano, and Mission Espada. Each mission is about 2.5 miles from the next mission and can be reached by following Mission Road.

The Mission system was devised by the Spanish as they colonized North America and staked their claim on territory. Missions served many different purposes for the Spanish colonizers. They were miniature towns inside stone fortifications, a combination of church, military outpost, school, and living quarters. The work of the Missions was to convert indigenous people not only religiously, but culturally, to make the native people Spanish citizens. These newly converted citizens helped the small number of Spanish priests, soldiers and others to grow in number and be able to maintain and hold their territory.

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The mission system in San Antonio is summarized on the park’s website: “After 10,000 years, the people of South Texas found their cultures, their very lives under attack. In the early 1700s Apache raided from the north, deadly diseases traveled from Mexico, and drought lingered. Survival lay in the missions. By entering a mission, they foreswore their traditional life to become Spanish, accepting a new religion and pledging fealty to a distant and unseen king.”

This short introduction to the Missions on the National Park Service website for the park begins to get into why indigenous people would enter a mission–the push and pull reasons. Dangerous conditions pushing and promised food and safety pulling them in. However, within the Missions there was forced conversion and also forced labor, with indigenous people being the very ones who built the stone walls of each of the 4 Missions.

I am fascinated with Latin American history, the history of Latinos in what is now the United States, immigration history, and the colonial era, so I knew as soon as we started planning our trip to San Antonio that I wanted to see the Missions. My poor husband was just along for the ride, but I think he ended up getting more out of our whirlwind tour then he expected.

Having grown up in North Carolina, I was taught much more about the 13 original British colonies than I was about Spanish colonization of territories that would become the U.S. and so the word colonial usually conjures different imagery.  To see these 300-year-old Spanish Missions and think about how their presence helped shape the region was a new and eye opening experience.

I was somewhat familiar with the history of Spanish colonization in general, having written my undergraduate seminar paper on the Spanish conquest of Mexico and the ways in which women were used by conquistadors to expand Spanish control. I also took a survey course on the history of Latin America which covered the colonial period including the main goals of Spanish conquest, the 3 G’s: God, glory, and gold. Conversion and spread of Christianity, exploration and territorial claims in the name of Spain, and accumulation of wealth were the three main motivators and goals of Spanish conquest.

Armed with this background knowledge, my husband and I set out first thing in the morning in an effort to beat the San Antonio heat, already reaching over 80 degrees in April. We went in geographic order, beginning with Mission Concepcion.

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Mission Concepcion was dedicated in 1755 and is the oldest unrestored stone church in America. Like all of the San Antonio Missions (except the Alamo) it is still in use for church services, including English, Spanish, and bilingual services. Also some of the original frescos, murals, and other art is still visible on the walls and ceilings, showing that this grey stone church would have once been colorful and bright.

Mission San José y San Miguel de Aguayo was up next, the largest and most restored Mission in San Antonio. It was largely restored as a Works Progress Administration (WPA) project in the 1930s during the Great Depression. Founded in 1720, it was a model for other later missions and was a social and cultural center of colonial Texas. According to the Park’s website, at the height of the San Jose Mission 350 indigenous converts lived within its walls, worked in its fields, and tended cattle. The restored site includes the church, the granary, the convento, and the walls into which was built rooms for the indigenous people who lived at the Mission. More about San Jose, since it was the largest, is available and in more detail on the website. It was definitely the most complete stop on the tour owing to its restored exterior buildings which give a better idea of the more complete life of the inhabitants, not just their religious life. The site also includes a 1794 grist mill, fueled by the acequia and used to process wheat, the preferred grain of the Spanish, that began to replace the indigenous corn.

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The last two missions, Mission San Juan Capistrano and Mission Espada were less restored than San Juan and at Mission San Juan we could not go inside the church. However, these buildings were the most architecturally beautiful to me. More about each of these are in the links. An interesting tidbit about Mission San Juan though is the incomplete larger church. The project halted as the population declined. Near Mission Espada is the Espada aqueduct used to irrigate the farmlands surrounding the Missions.

These four historic sites were among some of the most interesting, most powerful sites I’ve visited. There was this conflicting feeling between the beauty of the architecture, the romanticized beauty of colonial ruins, and the sacred feeling of religious spaces and the ideas of forced conversion, forced labor, disease, war, fighting, and the upheaval of culture that took place in the walls of each of these missions. Each of these sites left me feeling that conflict and wanting to look deeper into these sites. I’ve done some of that in the process of writing this post, reading more in depth about each site on the park’s website and looking beyond for other resources. I do think the sites themselves could delve deeper into these conflicting narratives and experiences of the Missions and it does seem since we visited that Mission Concepcion has put up a new exhibit, Four Voices, aimed at sharing the divergent points of view at the Missions.

Overall, these sites are so important for understanding the history of San Antonio, Texas, the Southwest and ultimately the United States. As in many other places in time, several cultures converged. Owning up to what that convergence meant for many indigenous people is important for how we move forward.

Public Historian on Vacation: Part 3 – San Antonio Beyond the Alamo

Our first day in San Antonio included barbecue and a tour of the Alamo, but also a trip to a less traditional kind of museum, Barney Smith’s Toilet Seat Art Museum.

Yes, toilet seat art. Barney Smith, a former plumber and volunteer firefighter turned artist has collected and decorated hundreds, maybe thousands, of toilet seats. Each has a theme and most are what art galleries would call mixed media. Small objects glued to the seats and then painted and drawn on, each toilet seat tells a story or centers around a theme. Open by appointment, the gallery is Mr. Smith’s garage and the 96-year-old artist himself tells visitors about the highlights of the collection.

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The toilet seats tell Barney Smith’s personal history, with one toilet seat even labeled as his personal toilet seat. Lift the lid and it traces his careers as a fireman, a plumber, and an artist. There are also several toilet seats commemorating his wedding anniversaries, his life with his wife, and his relationships with his children. Some seats tell the history of his art and its reach, with toilet seats for all of the states and countries his visitors have come from.

Other seats though mark important local events such as festivals, the Fiesta Pooch Parade, local civic organizations. And others speak to Mr. Smith’s memories of regional or national historical events. For example, one seat features a piece of the Space Shuttle Challenger, another a piece of the Berlin Wall.

This museum is both personal and public. Private but on display. Local but national, even international. Personal reflections on bigger stories. It really reminded me of one of the first books I read for graduate school, Private History in Public, actually written by my professor and adviser, Dr. Tammy Gordon. In it she writes about historical exhibits that “complicate the public/private dichotomy, exhibits that promote individualized perspectives to strangers and cement ties between relatives, friends, colleagues, and community members.” Barney Smith’s toilet seat museum is a prime example of this. Touring it with my husband, my mom, and my grandparents, we were all pointing out various seats to one another, discussing our own remembrances or knowledge about the various events, topics, and places that were depicted on the seats. It was clear that the community of San Antonio was involved with Mr. Smith’s work, with local commendations, awards, and donations to his collection on display with his seats. And being shown around by Barney himself allowed us to see and hear his perspective on his art, on the seats he thought would most interest us, and on the historical events depicted. As Gordon discusses in Private History in Public, these kinds of non-traditional, small museums enable this dialogue. Furthermore, the interest in this museum speaks to people’s interest in individual stories and individualized pasts, a point made in Roy Rosenzweig and David Thelen’s foundational work, The Presence of the Past: Popular Uses of History in American Life. People are interested in history, in the past, in others’ stories, but more in ways in which they can connect to their own stories and pasts. This may be why historic sites and museums continue to struggle with visitor numbers. People want to see a past that they feel connected to.

At Barney Smith’s Toilet Seat Art Museum, there was something for everyone. Something to feel connected to, and an intimate setting in which to discuss the past, memories, and more.

To read more about Barney Smith’s Toilet Art Museum, visit the Facebook page: https://www.facebook.com/SATXTSAM/. Recently a book of his works was published via crowdfunding: https://www.cattywampuspress.com/shop-1/king-of-the-commode

And a recent article about how Mr. Smith is looking for a buyer of the whole collection: http://www.krqe.com/news/national/the-king-of-the-commode-seeks-an-heir-to-his-thrones/1192867384

Next post will be about the San Antonio Missions National Historical Park.

Public Historian on Vacation: Part 2 – San Antonio

Public Historian on Vacation: Part 2 – San Antonio & The Alamo – April 11

After leaving Galveston, we drove to San Antonio to meet up with my other set of grandparents (my mother’s mother and husband). We arrived, ate barbecue on the River Walk (because when in Texas…) and then set off to see the Alamo (because again, when in Texas.)

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The County Line – where we ate BBQ.

My mother, having grown up in Texas, had described to me her remembered impression of the Alamo when she went as a child on a school field trip. Having been raised and educated with the messaging of “Remember the Alamo”, she felt actually visiting was a let down. The site itself didn’t live up to the hype in her child’s view. With this conversation in mind, I was interested to see what I thought as an adult who had limited knowledge of the events that took place there beyond a showing of the Dennis Quaid movie somewhere along the way at school.

Of course, I don’t know how the site was interpreted in the 1970s when my mom would have visited, but if similar to today I could see how a child might not be able to get much from the site. The main building, the chapel, is a relatively small structure, lacking in anything “grand” that a child might be expecting given the great importance placed on the site and what happened there, the inside is not furnished in any way–there are no artifacts, no reenactments, displays, etc. It is mostly empty, with just a few signs, which are about the preservation of the structure and a few features to be pointed out, and a memorial in the back listing the names of those who fought and died there. So my mother’s lackluster experience as a child makes some sense. However, my mother told me she got much more out of the site as an adult and I think that is owing to a few factors. One, simply better understanding of the events that took place there, increased ability to imagine and empathize with what happened there on a human level, and the neighboring museum space in the long barracks which does have exhibits, artifacts, and interpretation.

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For adults, I think the power of the site is in its size. A small mission fortification held out for a 13 day siege against a larger army, waiting for reinforcements that never came. The fact that every soldier there died is another grave fact that really resonates when you stand in the space. However, I learned something new while there that also truly resonated with me. Local women, children, and some men who were not soldiers, who were brought into the Alamo for protection as the Mexican army approached and who hunkered down in one particular room, survived the attack and were released by Santa Anna to bear witness to what happened. Often you hear that every single person at the Alamo died, but this is not true. Santa Anna wanted others to know of his victory there. These people who, I’m sure feared for their lives, their children’s lives, for days, witnessed the death of all those around them, and then were set free. What emotions did they feel? What were their lives like afterwards? The site does not go into these questions, though it does speak about these survivors both in the Alamo itself and in the neighboring exhibit hall. These people are a source of history and of what happened there, but they are also just people who experienced something terrible. This I think could have been brought to life a bit more for visitors.

Another detail pointed out by the few interpretive signs within the Alamo are the names of later soldiers carved in the walls. The Alamo had a life before the siege (as a Spanish mission) and a life afterward. It was used by later U.S. military installations, many of whom carved their names in the walls, marking that they had been there. The reasoning why is not completely described, nor is it probably definitively known, but I think these men, knowing what happened there, already knew this site would be an important part of history and they wanted to leave their mark on it.

It’s easy to get caught up in the glory of death as a sacrifice for liberty, freedom or another honorable cause. This is the traditional narrative about the Alamo, but of course real life, and as such, history, is more complicated than that. The exhibition space in the long barracks next to the chapel walks through the more complete picture; albeit carefully. Beginning with Mexican independence from Spain, the exhibit explains why US colonists moved to Texas, encouraged by the new Mexican government who wanted to populate the territory as protection against Comanche raids and enticed by economic incentives of land ownership, and the colonists’ reasons for revolting later after Mexico made changes to its immigration policy and constitution. The simple message that the Texans fought for freedom is more complicated when you reexamine the economic reasons that they moved to the Mexican territory, that they had essentially immigrated to another country and yet still felt entitled to US constitutional rights, and that they flouted Mexico’s changing laws concerning slavery, tariffs, and immigration. These reasons certainly do not mean that what happened at the Alamo was “right” or expected, but the struggle was not entirely black and white, good vs. evil. Mexico was attempting to control its territory and enforce its laws, and put an end to Texas’s rebellion. Texans were fighting to preserve a way of life to which they had become accustomed. The ultimate result was Texan independence, later annexation into the United States, and the Mexican-American War.

The exhibit also describes some of the other lesser-known events of the Texas Revolution such as the Goliad Massacre in which a Texan army surrendered to Santa Anna and was subsequently executed. This interesting article describes the disparate ways in which these two related events have been remembered, pointing out that the battle at the Alamo is easier to see as an honorable death because they did not surrender.

All in all, the events leading up to the siege of the Alamo and the aftermath of the Texas Revolution are more complicated than Dennis Quaid, the refrain “Remember the Alamo”, or even my brief, oversimplified summary above would have you believe. Visiting the Alamo has definitely encouraged me to dig a little deeper though. In that sense the exhibits in the long barracks next to the chapel really opened up a new understanding of the events that took place in the Alamo and may be almost more important to visitors’ understanding than the Alamo itself, the preservation of which is important, but is also the reason that these stories are not currently being told within the chapel’s walls. The few signs in the chapel which I mentioned above all reiterated the ongoing preservation efforts taking place there. While the main building (and what most would consider the Alamo itself) is not heavily interpreted, the Alamo’s importance is place-based. It is that feeling of being on the spot where something transformative happened because simple or not, what happened at the Alamo influenced a string of events that has shaped our world today.

*What originally was to be a 3 part series, will now be more–how many depends on how long I decide to rant about the rest of the trip. I felt the Alamo should stand alone though so as to not make this post too long by continuing to discuss the rest of the Missions in San Antonio that we visited. The next blog post will cover the rest of our trip in San Antonio, I think. 🙂 *

Public Historian on Vacation: 3 Part Series

I haven’t posted on promised subjects yet, but I am still researching and have half of a post drafted on the gendered history of baking. I just haven’t quite gotten that project where I want it yet, so I’m moving on to other topics for the time being.

I’ve been busy, at work & at home, including a vacation with my husband and my mother to her home state of Texas. We went to Galveston and San Antonio with mom and then split ways, with her off to Fredericksburg and us staying another day in San Antone before going to New Iberia and New Orleans, Louisiana.IMG_1811

While this was purely a fun, family vacation, I’m still a public historian even when on vacation. In each stop along the way we visited historic sites, museums, or historical areas with shops & restaurants trading on history. This three part series will share my thoughts on each of our destinations, beginning with Galveston, TX in Part 1 below. Parts 2 & 3 coming soon.

Part 1 – Galveston, TX – April 7-10

The first stop in our journey was Galveston Island, a beautiful island town along the Gulf of Mexico. A port city, the island itself has a long, interesting history, including being an entry point for immigrants much like Ellis Island, a battleground of the Civil War, a survivor of the Great Storm of 1900, and much more.

We were there to visit my mom’s paternal family including my grandparents, my great grandmother, and some aunts, uncles and cousins. My great grandmother lives right on the water on Tiki Island–it’s one of my favorite places and I could listen to her talk about her life for hours. She’s done a lot of our family’s genealogy and put together books of information, photos, documents, etc. At 95 years old, she’s lived an interesting and full life and is full of wisdom and love.

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Me, my great grandma, and my mom.

While we were primarily there to visit family we did get in a little sightseeing with two visits to The Strand, Galveston’s historic business district downtown near the port, a trip to the Rainforest Pyramid of Moody Gardens, and a special peek into American National’s archives exhibit space.

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My mom and I outside La King’s.

The Strand is full of restaurants, boutique stores, and tourist shops, all housed in Victorian-era buildings. A favorite of mine is La King’s, a candy and ice cream shop where I love to stock up on salt water taffy. The store has been on the Strand since 1976 but makes 1920s style candy and ice cream treats, and strives to create a “unique atmosphere of days gone by.”

The Strand is a quintessential historic district for tourists, with all of the charm and romance: Beautiful architecture, delicious ice cream and food, plenty of shopping. There are also nearby museums and historic tours for those more interested in the history.

This kind of commercial area trading on the charm of history raises some questions of how these places influence the public’s perception of the past. While romanticizing history, one could argue the popularity of these places also means that the public has an interest in history. But does that interest extend to more complicated or difficult histories? More on this as we continue on to our other destinations in the next two parts.

 

While in Galveston, we also visited Moody Gardens, a huge local attraction with three large pyramids, each housing a different kind of exhibition, as well as other activities including a beach, a ropes course and zipline, a paddlewheel boat, etc. The pyramids include an aquarium pyramid, a rain forest pyramid, and a discovery museum pyramid with changing exhibits. We only had time for one attraction so we chose the Rain Forest Pyramid. Not a history museum obviously, it functions as a hybrid between a botanical garden, an aviary, a zoo, and a natural science museum, describing and educating visitors on the wildlife within.

 

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The highlights of the Rain Forest Pyramid would have to be the sloth, the many colorful birds, two monkeys, and the ocelot. Many of the animals, including the birds, the sloth, and the monkeys were not separated from us by fencing or glass and the close proximity was really incredible.

We also got to visit the archives exhibits at the top of the American National building owing to the fact that both my grandparents (plus my great grandfather) used to work there. The exhibits there were very nicely done and include some really cool artifacts such as the life insurance payouts for Bonnie and Clyde. (Yes, that Bonnie and Clyde.) There was also a lot of history about the city before and after the Great Storm of 1900. An added perk was the amazing view from the space which overlooks downtown Galveston. All in all, a great example of a corporation drawing on its history to create interest, drive branding, and inspire employees and guests alike.

 

One of our final stops was the beach, along which runs the 17-foot-high Seawall constructed after the Great Storm of 1900. That hurricane caused so much damage and loss of life that it led to major renovations across the island to raise buildings and of course inspired the Seawall. The first part of the Seawall (about 3 miles long) was completed in 1904 and by 1963 had been extended to 10 miles.

 

Galveston is a truly interesting and beautiful place and there is so much more to it than what we fit into this most recent visit. There is the Railroad Museum, the Bryan Museum of the American West, the restored historic Pleasure Pier, and more. I would love to learn more about the port as a gateway for immigrants and their lives once they arrived–something to look into until our next visit. 🙂

Stay tuned for Part 2 – San Antonio – The Alamo, the Riverwalk, lots of Missions, and more.